Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
我不能理解这么大阵仗最后就是比个…抽对儿…
已经很久很久很久很久很久很久很久没看过这么陈旧的恐怖片技法了，连惊吓都做不到
说烧脑不至于 感觉整部电影都是开胃小菜
用抽鬼牌做主菜感觉不太够啊，没有呈现出什么新颖的赌局，遗憾。
没有一个吓人的故事 大部分都在意料之中 有几个故事拍的港片味儿十足 只有人体模特的还行吧 可能因为男主最好看吧
原作应该也还不错吧为啥拍成这样…还有下一部？
这怪物也太拉了吧，直到小木屋伏击战都还可以，到最后直接被女主刀了？
没啥深度和内容，当恐怖片看看也是可以的哈哈
说烧脑不至于 感觉整部电影都是开胃小菜
同类型里面不算出彩的。没看过漫画，白麻那个角色感觉太硬凹大姐头感了
好久没这么爽，女演员都选的太漂亮，很容易出戏
蛮好看的，青年漫改电影。设定有创意，赌郎组织，吃老千的噬慌者。目标：世界和平。
前半部結合破敗小鎮陰冷的氛圍詭異莫名的圖畫殘破不全的尸體本來還挺好的，但這一擊即潰的戰鬥力生生從神話系瞬間降格為怪獸係，還是弱雞裡的戰鬥機，搞得結尾附身精神力也毫無威脅感可言了，還有女主的童年陰影共情男童完全畫蛇添足
一分给多多一分给流星 不知道这个原作是哪个年代的 剧情真是老套的令人发指..😓
画面是刺激的，但是只有刺激没有逻辑…第一段隧道，女鬼居然物理攻击，我笑了
都2022年了，十年前的恐怖片都比这个有逻辑吧 恐怖元素的堆砌罢了
每个故事都有点警示寓言的意图，《衣柜》算是其中让人眼前一亮的一个不错的小故事，以及《人体模特》这个题材不错，完全可以更精彩一些。
虽然剧情小儿科，但是计谋还可以，流星抽乌龟的样子也很可爱啊。然后红布转圈那段，镜头感真好。本乡奏多的声音好听，看的时候就在想他好好像只配过一部动画？
5.9/10 这雾气蒙蒙的感觉也太棒了，但结尾处理也太草率了点吧，完全浪费怪物造型。
恐怖片入门鉴别大赏。意在用10个小故事把最基本款的恐怖套路讲给你听。
Copyright © 2015-2023 All Rights Reserved
