Constantly on the hunt and suffering from hallucinations that drive his violent nature, an unnamed man is capturing women and savagely beating them to death. Meanwhile, a woman is luring men into a violent end, by way of her knife. Driven by the same force to make the opposite sex suffer, the killers’ fates intertwine. The two must face off in a battle to the death, in which they are forced to reveal the horrible truth behind their addiction to murder.
“Brutal” takes an interesting approach to its visuals, drawing heavy influence from Western “Grindhouse” films, using a filter to make the footage appear grainy, damaged, and with light and color fluctuations. Unfortunately, the visual styling ends up feeling misguided, as other than applying the filter it does not imitate any other aspects of the “Grindhouse” genre. Despite trying to dirty up the film, it is apparent it was shot on digital. The cinematography is also a step above most “Grindhouse” productions, with Takashi Hirose proving he has talent behind the camera. Exterior shots to those taking place in small spaces are all competently framed, lit, and transition well. The decision to add an effect on top of the work hurts the film’s imagery and even gives a sense of desperation to try to capture a certain type of nostalgia with the audience, instead of relying on its own strengths. It is unfortunate when one creative choice can hurt a production so much.
The story of “Brutal” is simple but effective, it does attempt some sort of social commentary about the violent nature of men and women, but it does not offer enough depth into the subject to justify the amount of violence on display. The film does end on a strong note with an interesting twist, with a reveal that is bound to gross some out, while giving others a chuckle. In spite of its simple nature, those who enjoy films that make them somewhat uncomfortable and enjoy the challenge of getting through some ultra-violence, “Brutal” poses a fun and entertaining challenge in that regard.
大电影算是三个小短片的合集，有温情有惊险，不到三岁的孩子看了紧张到不行
第一次带寻寻看电影，寻寻哭得稀里哗啦。动画片真不错，，没有因为给孩子看得而糊弄，制作精良，故事感人，细节满满！
2022.1.31 和嘟嘟看的第一部电影，全程乖坐。晚上我问他今天看了什么电影，他回答不上来，可能还是看不太懂。但我想不管是我的还是他的体验应该都很棒。
全球知名IP，融合了科幻，动作等元素，讲述了友情，忠诚与信任，自我救赎并突破自我，团队最终战胜邪恶。
好看，但是配音换了，画风也换了，小朋友不习惯
当恐龙这个IP失去了童趣，不再适合大人小孩一起看的时候，就只值 ⭐⭐⭐ 了，多一 ⭐，只因为上次走进IMAX影厅已是去年10月。
实在是很无聊，从入场开始睡睡到结束,孩子倒看的很开心
像极了川普的酒店大厦与推特治国，不由好奇欧美的小朋友在动画里看到这一切时的反应。另外，藉由每种狗狗负责的市政工种向儿童观众进行科普是带感的，只是无奈年龄渐长的我全程像一个资本家一样，盯着每一次救援中有没有狗狗在划水……其实这种套路式的剧情改成小鸡小兔小鸭都可以，且狗狗角色间的性格差异也不大，只不过这科技水准基本属于包壳变形金刚了，周边估计又可以火一把了。（我也没想明白我怎么会去看这个……可能是为了调研如今10后喜欢看什么风格的故事吧……）
竟比想象中的好看。在完成各种任务的过程中增加友谊，增强信心。娃们怎能不爱。
心心念念的汪汪队果然没让小主失望。
涉及政治，严重行为双标，根本没有儿童片的基本自觉。
看完电影,孩子get到了要正确,勇敢的面对自己的恐惧(Fear),还是挺有意义的。
全球知名IP，融合了科幻，动作等元素，讲述了友情，忠诚与信任，自我救赎并突破自我，团队最终战胜邪恶。
比那个《超能救援》强多了，至少是一部真正的“大电影”——张肉肉说。
这才是大荧幕回归的最好体验，也可能是《侏罗纪公园》的情怀太杀我，依旧忘不了儿时假期反复观看留下的这个ip对于我，仅次于星战的情怀
还不错，比动画片精致好多，偶尔还有点小帅。反正儿子看得很开心。
剧情蠢得要命，智障反派把自己玩死了，智障圣母靠主角光环屁事没有。恐龙捕食主要是靠张开大嘴吓死猎物，人都可以轻松跑掉，靠这种本事只能食腐了。
我给五颗星！我跟女儿一起看完了！贝贝很可爱！但是我永远最喜欢毛毛~\(≧▽≦)/~
本以为可以装嫩一把，结果睡着了，睡得很舒服
可可爱爱的狗狗们又升级新装备啦，还增加了新成员贝贝！小时候的阿奇也太可爱了！
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