这是Richard Lester最好的一个片。
An absurdist classic
This is a wonderful surreal comedy based on the play by Spike Milligan and John Antrobus. You know that it is going to be an odd film right at the beginning, when the opening credits list the cast in order of their height. The film begins with the BBC (Frank Thornton) telling us through the facade of an old television that this is the third, or is it the fourth?, anniversary of the shortest war in history, lasting 2 hours and 28 minutes. England is now a barren landscape, littered with derelict cars and buildings, hills of old boots, broken crockery, and other debris. Forty million people perished and there are only 20 known survivors. The Queen did not survive, and of the 20 known survivors the next in line for the throne is a Mrs Ethel Schroake of 393a High Street, Leytonstone. Among the other survivors are Ralph Richardson (O Lucky Man!) as Lord Fortnum of Alamein, who isn't looking forward to his impending mutation into a bed sitting room. Michael Hordern is Bules Martin, who wears a 18-carat Hovis bread ring. Spike Milligan is a postman who wanders around and delivers some memorable dialogue, for example: "And in come the three bears - the daddy bear said, 'Who's been sleeping in my porridge?' - and the mummy bear said, 'that's no porridge, that was my wife' ". Arthur Lowe is slowly turning into a parrot (which is then eaten by Spike Milligan), while his wife, the owner of her own death certificate, turns into a wardrobe. His daughter is pregnant with a strange creature, which she has held inside her for seventeen months. Peter Cook and Dudley Moore are a pair of policemen who perpetually tell the others to "keep moving!". Moore growls a lot and turns into a dog at the end. Marty Feldman is a wellington-boot-wearing nurse. It's a hilarious, absurdist treat, and one of my treasured filmic pleasures.
怎么可以把我们的爱情拿来赚钱呢？而且还不告诉我。
No.2366 像是看了一篇爱情小说，节奏挺快的，但是挺有意思。不过也难免需要通过一些矛盾，让男女主认识到自己对这份感情的珍视。很喜欢画面展现的内容，特别是街景，想出去旅游了。男主不算帅，但越看越觉得亲切，像是一位值得结实的朋友。
交友软件只是个引子，换成在朋友聚会上认识也行。剪辑老套，完全是韩剧的手法。
奇奇怪怪可可爱爱
孙锡久咋演到这么卑微？完全像女演员们的性宠儿。就电影来说平平无奇甚至太无聊了点。
非常典型的体育励志片。本以为沙赞跟苏琪搭档会出戏，没想到看到我想哭。带着儿子一起去看的，完全就是因为他喜欢football，没想到自己也沉浸其中。内容上好多地方都是点到为止，而且感情戏有的地方对我来说有点没必要。最喜欢的地方是第一场比赛前zach“写”的信。zach虽然失明，但是一次又一次的否定了别人所谓的不可能，所以kurt也能做到。今天是荷尔蒙喷射的一天。
American Underdog: The Kurt Warner Story
孙锡久的这个款式的刘海好难看，再也无法直视“三十而立”了，的，电影像是洗奶娃公众号的性转版，但是现实里洗奶娃的故事结局不是这样的。
美国电影嘛，就是这样，普通人都能成为超级大英雄，情节也一般
莎士比亚也说过，爱情是一种精神病。相遇的缘分啊，无论经历什么困难，终究还是会相遇的。相遇的缘分终究会遇见吗？有想再遇见的人是吗？
作为励志体育片奋斗描写的太少，爱情体现的太多，好像华纳是靠天赋和运气获得的成功一样。
故事不如在预告里有趣，回归爱情，但是女啥时候心动啦？演员们蛮有魅力，女主真的蛮欲。
對underdog實打實地“動心忍性希，增益其所不能”勵志故事，永遠熱淚盈眶，也許是主人公本人擔綱製作，人性細膩刻畫入木三分，戀人和賽場的張力，探尋旅程上，各自的動搖和懷疑，主的指引，最後破繭成蝶——人生如旅，並非一項任務，誠實勇敢地，愛你所愛，行你所行，無問西東。
结尾什么鬼，，把人工作搞丢了还能愉快玩耍？
俩人有点配，不介意看电影咖演参加这种白开水剧。个人心里这种不疼不痒但是两方都性感的短电影大于20集长的4🌟剧。主题有一点还挺有意思的-男人用女人做自己工作的慕斯，有点缺德呕～很值得考虑，男主不会是特意让女朋友做自己作品里的主角那种人，但是结局怎么解决女主原谅男主这样利用+隐瞒这件事呢。。。没有很仔细的处理，但是觉得一笔过去的“又是一年新年”，女主不理男主半年，还挺合理的，让观众也能释然。还有就是导演选的那个汽车旅馆好美好妙。
孙锡久让我明白了，即使是单眼皮的小眼睛，也可以眉目传情～ 他们第二次约会吃饭那里，CP感真的太强了，为俗套的剧情加了分。
拿礼金本太爽了哈哈，全钟瑞怎么胖了，骨架好像都宽了😓
tacky但真的是我的神仙男女主！两位头顶泡沫的镜头可爱死了><
他太太的作用电影里怎么看不出来？
Sonsukku was really cuuuute
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