The family are put through their paces, to get fit to face the future using some of the latest gadgets and gizmos, including electric bikes to get them out of their cars. But, to test if they really work, the family are set some tough challenges: to take on pro-cyclists on Sheffield's notorious hills and do the weekly family supermarket shop on two wheels. There are also computers to take over the jobs that humans used to do, from a prototype robot dietician that talks to you as it monitors what you eat and how you exercise, to a computerised version of a personal fitness coach to monitor and map your exercise regime. Super-fit Joel also tests out scientifically designed post-workout suits created to get your body back in shape, promising 50% less fatigue! In the newly-futurised bathroom there's a £5000 mirror that monitors your health by reading your weight, BMI and body fat percentage (as well as displaying news, weather and social media sites), and a toilet that gives you an intimate 'wash and blow dry'. Meanwhile, the family are on a diet of 'super shakes' - tipped to take off in the next decade as smoothies did in the last one - complete with spirulina, raw cocoa and bee pollen. Can it help diabetic dad Tony control his blood-sugar level? And there are more edible medicals, as the family experiment with Japanese sweets that promise to boost your collagen or even make your breasts grow. SERIES SYNOPSIS What happens if you ask a normal family to boldly go where no one has gone before - to live in the future? This five-part series transforms a family's home from top to bottom, filling it with futuristic technology and gadgets. As well as having cutting-edge technology and gadgets to play with, the family will be challenged by scenarios likely to come in the next 20 to 50 years. Overseen by expert Chris Sanderson, the family will discover how we may work, rest and play, as well as how we may eat, travel, stay healthy and power our homes.
Shedding tears in the theatre. Delicate, quiet, floating, and touching. Textbook-level shots and larger-than-life themes. Brilliant end and soundtracks.
影片最大的亮点也在于此，黑白的granny镜片倒映的舞台是彩色的，其他的优点则乏善可陈。
到底在讲啥个故事啊
救命！不是黑白+社区生活+小男孩+年代暴乱就是《罗马》！这可能是个骡子！
——至这个时代的默片解说员
导演的童年自传故事，能看得出来对故乡的怀念与依恋之情，但整体的故事还是过于平淡，中间叙述点太多了，有点杂乱，并没有抓住中心来讲，复杂化了，比起相同类型的「罗马」来说还是差点火候。
“故乡”和“他乡”是组相对的概念。在祖父去世前，巴迪眼中的“故乡”只是贝尔法斯特，“他乡”是除了贝尔法斯特之外的任何地方；而当祖父的离世让巴迪看到了生死，“故乡”与“他乡”的意义也随之的分别扩大至“生”与“死”的层面，也许因此巴迪才能平静接受了离开贝尔法斯特的事实，也许巴迪懂得了，只要心中永恒怀揣着对故乡的记忆与怀念，“故乡”就永远不会远离、不会消失，所到即故乡。
能润就不错了，还纠结那么多有的没的，好凡尔赛哦
我，看不下去了。本身挺有意思的故事啊，可能我要求高了。奥斯卡，真是越来越垃圾了
每个人心里都有一座名为故乡的城……怀旧感赞，摄影赞，构图赞，演员赞，配乐赞，剧本赞，但肯尼思拍得并不赞，过多自身经历的情感投入让他无法拍得更好，细节决定成败，但这部电影的细节严重缺失，人物塑造都是佳句无佳章，很多本可以更好的片段都可惜了。承认质量一般，不过我个人很喜欢，爸爸的歌喉，妈妈的泪水，奶奶的眼神，爷爷的台词，每一个都狠狠地击碎了我的心。7项提名，看好原创剧本，是个好剧本，不过能拍的远远比这更好。
很私人化很真挚的故事。但，或许是受限于时长的原因，很多东西都不清不楚的带过去了。母亲这个人物因外部环境的影响而转变略显突兀，原因出在构成外部环境的这场暴乱本身的描写太过欠缺，难以让人信服。比利像个可有可无的角色强盗A或者劫匪B，感觉这场戏和开头的暴乱戏的顺序可以换一换。故事线捋地不清楚，把握不住节奏，继而导致抒情的时候只能见缝插针，
若把此片看成是一部私家回忆，那确是很好了。
【D】剧本还是很好的，但奈何布拉纳一塌糊涂的导演水平和拙劣模仿，空有堆砌的技巧的糖衣炮弹。
喜欢papa，还有他那段话：记得你是贝尔法斯特15区的，在这所有人都爱你，走的多远变成什么样也不要忘记，这大概就是故乡和家人的治愈。配乐也很棒，喜欢爷爷奶奶，爸爸妈妈之间的感情，虽然妈妈有点飘浮，但真是个美女。
其实这部电影拍的不够好 但是近期男童arthur虐杀案让我看到6岁左右的英国男孩都会有一阵难过？
爵爷卸甲归田拍了这部半自传，有些地方拍的还是蛮魔幻，北爱冲突也没描写的太惨烈，目的就是为了给故乡的情书保持温暖的基调吧。小时候我对宗教能引发冲突也会觉得不可思议，现在老了逐步能体会到复杂性。
主要打动我的是背井离乡前的哀愁和不舍，我也经历过离开从小熟悉的街区来到一个陌生的地方生活，担心从小一起长大的好友不再联系，担心自己会被这个新地方排斥，担心远离自己家中和蔼可亲的长辈，结果一一应验了，尤其是和长辈一起的点点滴滴实在是让人动容，我相信很多人和我一样都有和爷爷奶奶外公外婆一起度过日常的温馨时光，在父母的疾言厉色下，他们才是幼小的我心中真正的避风港
呃真的是毫无惊喜的命题作文式电影……2.5
躲在一楼桌子底下的那些人，以及孩子他妈带子冒死还洗衣粉这脑子有问题吧。还有就是过于平淡，以至于看得我没感到愤怒或者悲伤。演得都挺一般的，得不了演员的那些奖项。
镜头感超级好的一部黑白片，关于北爱尔兰的近代故事。
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