With the imminent release of Rose Matefeo’s brand new romcom Starstruck on BBC Three at the end of April, this coming year marks a watershed moment in broadcasting history with most BBC Three comedy either starring, written by or created by women. BBC Three will be the first UK channel to achieve this landmark in female representation with 58% of long-form scripted comedy written by women.
Upcoming titles include Lazy Susan, Starstruck and Ellie and Natasia plus the second series of both In My Skin and Back to Life.
In addition to this, the BBC today announces four new BBC Comedy Slices for BBC Three, all of which are written by and/or star female talent: Ladybaby, Amicable, Dinosaur and Britney, which results in the majority of comedy programmes on BBC Three now being female led.
Kate Daughton, outgoing Head of Comedy at the BBC, says: “Building on the huge success of Phoebe Waller-Bridge and Daisy May Cooper, this marks a monumental achievement and is testament to the fact the most pioneering and exciting new voices in comedy are increasingly female.”
Kate leaves the Comedy Commissioning team today having made a tremendous impact overseeing a raft of female first titles. Since Kate’s arrival in 2017 she has commissioned and nurtured Fleabag, Mum, Ghosts, Gavin & Stacey: Christmas Special (2019), This Time With Alan Partridge, Back to Life, The Goes Wrong Show, Out of Her Mind, Two Doors Down, In My Skin and Man Like Mobeen. Alongside the forthcoming Witchfinder, Alma’s Not Normal and Stephen Merchant series The Offenders (w/t).
Shane Allen, Director of BBC Comedy, says: “Five years ago there were still articles asking where all the funny women were. That hoary old nonsense can finally be dispensed with once and for all. It’s a level playing field with the most vibrant and dynamic work coming through from females writers and writer performers who are elevating the art form of comedy and expanding its horizons. As for Kate Daughton, no longer will she curse at me for loud sneezing in the office. Partly because she’s leaving and mostly because we’ve not been in the office. Truly bereft; in denial that she’s off and we’re lucky to have had her for so long.”
Charlotte Moore, Chief Content Officer, says: “Kate’s impeccable taste, whip smart comedy brain and beguiling ways with talent have had a transformative impact on the comedy output in her time here. The fact that BBC Three can claim to be the first UK channel with a majority of female led and written scripted comedy is in large part down to her vision and passion for backing genre defining female creatives. She’ll be sorely missed but thankfully leaves behind a terrific legacy of shows ahead.”
这版紫霞颜值蛮高的，而且也有那种俏皮劲，很灵气，就是古装感差点火候~
合格且标准流水生产的网络商品（IP、特效、爱情、吴孟达遗作、煽情、场面戏、激情戏）。但是电影不应当是快消品，这个IP之所以火到今天，能为周边和这类电影提供生命不是因为它快消。
只是曾经沧海难为水，看过朱茵版，其他版本再好都不入眼了
粗看还有点那么回事，细看则不行，比如紫霞扮演者
达叔遗作，没想到戏份真的超多，每一个眼神、笑容每一句台词都是那么和蔼亲切，怀念达叔！唯光影永存！
女主不错。剧情谈不上水，但也不出彩，但《一生所爱》想起时还是湿了眼角。这是达叔最后的遗作了吗？
剧情一塌糊涂，逻辑各种混乱，确实很烂，但是选的女主真好，不是网红整容脸，演的还行，有那种俏皮可爱的劲头，能演成这样真不错了，这是我觉着除了朱茵最好的紫霞，三星鼓励
还是不错的，特别短小精悍，人物也不惹人厌。人物创新部分，天机阁小主管和蚂蚁精不算成功，女主细看挺美但好像没有灵性，故事性一般。整体看看还行，三星半吧
这天机阁的特效场景在好几个网大看过。是不是找同一家公司做的？反正抄袭就是无耻，即使自己抄自己。
剧情还可以，缺点都是网络电影的通病，鼓励一下
想了想为什么会喜欢周星驰的大话西游 可能也是因为周星驰和朱茵 可能也是因为那个年代可以看到穿越剧情 可能也是因为至尊宝和紫霞的爱情停在那时候就够了 或者当年看着快乐无厘头的时候没想到后面隐藏着那么悲伤的故事的震撼。
服化道及格，剧情不算稀烂也勉强平庸可看，同人作品
6.5分。
5.7_大话西游之缘起 (2022)
我个人是不知道大话西游好看在哪里的，大话西游如果让我去打分也就是三分吧，然后这部也是三分。
剧本短小精干。大话西游讲来讲去也就是至尊宝和紫霞仙子的故事。作为爱情故事衍生出来的同人电影。 贴和原作的故事线和情节就值得称赞。网络电影的水平请按这个标准卷起来。谢谢
周星驰之后这么多年拍这个IP拍的最好的一部，各种场景真的仿佛又回到了那两部，味道很足，女主选的很不错，男主勉强吧，看的蛮感动的。
本来看到大话西游就不想看，但是看到一些好评，看下来还不错，比刘镇伟那几套大话西游2，3还要有诚意。虽然男女主都不出名但是还不错。紫霞青霞都挺好看的。其他绿叶除了达叔，还有几个在星爷电影的龙套。美人鱼的富豪和馆长还有星爷御用大妈。有惊喜。
剧情的bug太多了，但是紫霞的颜值我还是很喜欢的，再众多大话西游衍生翻拍剧中算是矬子里面拔大个，当一生所爱音乐响起，还是不由自主的鼻头一酸湿了眼眶！四星鼓励，应该还有下一部！期待！
其实作为一部网剧，又是大话西游的IP，看得出导演是认真在拍的，比想象的好，就是剧情节奏有点生硬，铺垫不够，最后的情感没有烘托出来，结局是个亮点，无缝衔接周星驰的大话西游
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