Martin (John Amplas), a young man who looks around 20-years-old, boards a train in Indianapolis, Indiana for New York. At night, he breaks into a sleeping car and sedates a woman with a syringe full of narcotics. She struggles, but he tells her not to struggle or be upset because she wont feel pain. After a few minutes, the woman falls asleep, and Martin has sex with the unconscious woman. Afterwards, he slices her wrists with a razor blade so he can drink her blood. The woman bleeds to death in her sleep.
In the morning, the train stops in Pittsburgh, Pennsylvania where Martin disembarks. He is met by Tata Cuda (Lincoln Maazel) an elderly and hostile old man who claims to be his cousin from the Old World. Together, they travel by another train to the town of Braddock, a dying industrial suburb. They walk to Cuda's large house where he shows Martin his living quarters. Cuda then accuses Martin of being an 84-year-old vampire from his old country. He has taken in Martin because he is family, but tells him, "First I will save your soul. Then I shall destroy you." Martin denies being a vampire and implies that Cuda is merely his uncle rather than his cousin. Cuda then puts up strings of garlic on the doors to his and his granddaughter's room, and then holds up a small cross when Martin approaches him. Martin takes away the cross, and even takes a bite of the garlic mocking these attempts by saying bitterly, "There's no real magic... ever". Cuda tells Martin that he can come and go as he pleases. But he also warns Martin that he will kill him if he kills anyone in Braddock. He also tells Martin to stay away from his granddaughter Christine (Christine Forrest), whom arrives home from her job that evening.
Cuda introduces Christine to Martin, but also warns her to stay away from him. But Christine instead strikes up a friendship with Martin who confides in her about his vampire heritage. When Cuda later confirms Martin's claims to be a vampire, Christine, not surprisingly, refuses to believe either one. She thinks that Cuda and the other members of her family have driven Martin to insanity by making him think that he is a vampire. It is never revealed if Martin really is a vampire, or just a shy and lonely youth with troubled issues. Christine is the only person that Martin gets the courage to talk to. When Christine's boyfriend Arthur (Tom Savini) arrives at the house for dinner, Martin stops talking and backs away despite Arthur's attempt at a conversation. Christine later confides in Martin that she hopes to leave Braddock someday with Arthur, even though Martin points out that Arthur treats her badly and is both verbally and physically abusive towards her.
When Christine sees that Martin won't talk to anyone else, she buys him a phone which he installs in his room. Martin begins to repeatingly call a radio talk show where he describes what it's like to be a vampire. He becomes known on the radio as "the Count" to all the listeners. But the patronizing host (Michael Gornick) thinks he's just crazy.
Martin gets a job at Cuda's grocery store of stocking shelves, hauling boxes around, and even gets to be a delivery boy for some of the customers. One of his customers is a certain Abby Santini (Elyane Nadeau), who becomes taken in with Martin. She is a very friendly young woman who is depressed when she tells Martin that her husband is unfaithful. But Martin still does not have the nerve to talk with her, so she is happy to have someone to confide in with her life problems. Martin phones the radio show host to describe his infatuation with the housewife and senses that she wants to have sex with him. When the radio show host asks Martin if it is a sexual problem that he has involving women criticizing him during sex, Martin replies that he has never had sex with a woman who was awake.
One day, Martin travels by train to outside Braddock to look for victims. At a supermarket, he follows a young woman (Sarah Venable) home to her posh suburban house. He sees the woman's husband (Richard Rubenstein) leave for a long business trip, and Martin decides this would be the right time for more feeding. Martin returns to the house after dark and breaks in through the garage door. But it is Martin who gets the surprise when he bursts into her bedroom to find her in bed with her adulterous lover Lewis (Al Levitsky). After a vicious struggle, Martin jabs both of them with hyprodermic needles with narcotics, and waits for the drugs to take affect. He drags the unconscious body of Lewis from the house to a clump of trees across the street where he kills him by shoving a broken tree branch into his neck and drinks his blood. Martin returns to the house where he has sex with the unconscious woman. But out of compassion and pity, he decides to let her live.
Martin begins to have romantic monochrome visions of his vampire past (real or imagined), where he drained blood from a young woman and was chased through the streets of a nameless European town by a torch-lit mob.
During one Sunday at church, Cuda brings home Father Howard (George A. Romero) who asks him about the possibility of exorcism and demon possession. Father Howard calls upon the elderly Father Zulemans (Clifford Forrest, Jr.) over at Cuda's request. Together, Cuda and Zulemans confront Martin his bedroom and attempt to perform an exorcism on him. At this point, Martin remembers (another real or imaginary flashback), in the Old Country of people trying to perform an exorcism on him, and he flees them. Martin then flees from Cuda and Zuelmas as well. A little later that night, Martin terrorizes Cuda in a children's playground when he puts on a Dracula cape and puts false fangs into his mouth to pretend that he really is a vampire.
One day, Martin finally musters the courage to talk with Mrs. Santini during a routine delivery to her house where he tells her that he's aware of her attempts to seduce him and wants now to have sex with her. After having sex for the first time, Mrs. Santini becomes more depressed for she tells Martin that her husband just left her because she discovered that she cannot bear children, and that her desires towards him are based on sex and nothing else. But Martin wants to stay with her and help her move on with her life. Martin tells the radio show host about his affair with the housewife and that he no longer has the urge to attack other women.
Meanwhile, Arthur meets with Cuda and tells him that he wants Christine to leave town with him so they can get married and start a family. But Christine becomes angry at Cuda when he tells Arthur that insanity runs in their family and he shouldn't consider having children with her. Shortly afterwards, Christine packs up and leaves Braddock for New York with Arthur despite Martin telling her that Arthur is abusive towards her. But her mind is made up. Before leaving, Christine tells Martin that she really has no ill feelings towards him and just wants to make a fresh start with her life. She says goodbye to him and promises to write. But Martin knows that with an abusive and possessive man in Christine's life, she probably won't.
Depressed over losing his one true friend, Martin phones the radio show host and tells him that he's getting "shaky" and wants to go out looking for more victims. That night, Martin travels to a rough crime-ridden area of Pittsburgh and attacks two derelicts in a alley, injecting them with narcotics. He kills one of them by silting the bum's wrist and drinking his blood. Martin is about to kill the second one when a police car shows up and gives chase. Martin narrowly escapes during a long chase on foot which leads from the garbage strew streets and through a local store. Martin runs into an old warehouse where a drug deal is going down. A shootout between the two cops and the three thugs begins where all of them are killed, leaving Martin as the sole survivor who casually walks away from the carnage.
One day, Martin finds Mrs. Santini dead in her bathtub, after she had slit her writs with a razor blade. Martin anonymously calls the police to report the body and leaves. He phones the radio show host one final time to say that he really doesn't need friends or people to talk to for he is his own person. But when Cuda learns about Mrs. Santini's suicide, is mistakenly thinks Martin killed her and made it look like a suicide as he's done before. Cuda walks into Martin's room while he is asleep and kills him by hammering a wooden stake through Martin's heart.
Cuda buries Martin's body in his back garden, while over the closing credits various voices from people are heard talking to the radio show host asking the whereabouts of "the Count".
电影整体其实还好，还真不是到差的程度，演员演的也可以。看到一半觉得值个4星，只是后来conrad人物线是如此结局，太令人失望且不讨喜。
我承认我是颜控党，这颜我无法拒绝，看完3好期待4哦。从第一部起我就喜欢，哈哈哈
上新追平已成定番，都过了两年还不如第一部的叙事 很没劲的 🚬
收手吧导演！！把列宁和希特勒画等号活该进不来🙄儿子挂掉之后反而觉得顺畅一点
do的方式花样和场景倒是open了，但是画面尺度怎么还是这么小（手动doge）。吵一架打一炮再和好的戏码你们不累我都看累了，最后又洒了一盆狗血。
床戏都变难看了，最后被父母爱情那段气到了🙏🏻（我跟你有过一段情男主是我俩的儿子所以我们在你结婚前夜且我老婆还怀孕的时候打炮完全是正当并可以理解的！你们这些不明内情的人都不许凶我！
这系列居然能拍四部电影？……天……富二代渣男与女友吵架上床吵架上床…反反复复………片尾曲after our dawn好听 求下载 据说是taylor为了这个片子专门写的
最大的反转是主角竟是他自己，还是有些第一部无厘头的气质和英式幽默的。
Hero精神鸦片3.0 & 继续沉迷于Hero的英音。这部cheesy romantic film我还能看第四季🌿男色害人！
我以为康纳才是主角，没想到老爷才是，一个父亲因为答应过死去的妻子不让儿子经历战争，而过度保护儿子，儿子开始叛逆，结果有点无脑，是个人都知道在战场上背个人走无异于自杀，但儿子似乎不太懂这个道理，最后还是被自己人枪杀的，实在是有点无厘头了，老爷子最后也算是报仇了，不过电影里对几个历史重要人物有点戏说的味道了。拉斯普京那段太色情了，战斗民族之舞一样很厉害。但列宁是怎么回事？威尔逊又是怎么回事？
Hardin是专门用来给Tessa添堵的吗😅控制欲太强了吧😅这都不分手我不理解😅剧情越来越狗血，合理怀疑这系列拍到现在就是为了让他俩每次doi都解锁一个新场景…（srds他们颜值好高我好爱）
温情了一点，最后男女主拥吻的镜头好甜，希望男女主多沟通，成熟点，期待第四部～
哈哈哈哈哈哈这也太拉垮了吧这剧情 啥玩意啊 第二季导演拍吻戏拍的很有感觉 这一季拍的很烂 剧情也很烂
作为王牌特工系列是不合格的 原先的那个是真的王牌特工吗· 一鼓作气，再而衰，三而竭，系列
怎么会这么狗血，我不理解，他俩相遇到爱上的那个东西叫荷尔蒙吗……我不理解……怎么会这么狗血就是说………
王男居然能拍的这么无聊我真是万万没想到的。故事无趣，打斗亮点平平，根本没有该有的“绅士感”，而角色几乎都很扁平，唯一不同的只有拉尔夫，一把年纪不容易。但最不能忍的还是乱改历史，简直到了胡说污蔑甚至荒谬的地步，太扯淡了！
原片两星，男主加半星，真的不能再多了。实在是要的话，俄罗斯旋转舞打斗加半星，拉尔夫费因斯的浪叫加半星。
看到男主妈妈和凡思那个，我的内心What the f*
两位主演的颜值没得说。我以为这应该是现实的爱情吧！但也不确定，毕竟人的情感真的很复杂。单看第三季显然男主更爱女主一些，至少在为爱牺牲方面男主做得更多。男主应该是缺乏安全感的人，又或者说爱得太深就更怕失去。我从电影中学到的是：坦诚相待，真诚沟通，即使有矛盾也不要轻易说分手，但要给对方冷静的时间和空间。
船上相依着用简奥斯汀书里的句子对话那段很美~
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