"Veteran experimental filmmakers Danielle Huillet and Jean-Marie Straub helmed this unusual adaptation of a novel by Elio Vittorini. Focused on the triumphs and failures of a group of laborers and farm hands who pooled their resources to operate an alternative collective farm after the end of World War II, Operai, Contadini features a cast of 12 actors who read aloud from Vittorini's book for the duration of the film, either reciting from memory or using a clearly visible script. Hardly designed to be a crowd pleaser, Operai, Contadini proved to be controversial among the audiences for its showings at the 2001 Cannes Film Festival, where it was screened as part of the Directors' Fortnight series." ~ Mark Deming, All Movie Guide
"The group makes up a primitive community which seeks to erase not only the distress created by the war but also the hardships of life and hunger, and to protect them from violence, misery and fear. Amid the ruins of this post-war period, the characters build and invent a rapport both in their professional and daily lives between themselves, the sexes, generations, diverse social and geographical origins, and antagonistic political camps.
The group maintains a 'register', a kind of diary, as if it were entering the minutes of an inquiry or a trial." -Steve Grayson
"my favorite Straub-Huillet films are Too Early, Too Late and Operai, contadini (2001), both color landscape films with especially acute senses of place as well as of nature in all its harsh beauty." - Jonathan Rosenbaum
刚开始觉得有些梗挺搞笑的 笑着笑着就疲了 这种喜剧电影有什么必要拍两个小时啊😑
笑点都很尬，中间那段TikTok舞蹈还不错
人物太多，梗太多，单独一小段看还挺有趣，合在一起就挺无感。
我觉得前期的烂苹果，准备新生活丢掉的烂苹果和在新生活下最后的好苹果对比镜头很不错啊
不尬的轻松喜剧。没抱什么期望看，看得还挺放松和开心的。
不错的电影。但可能不适合幽闭恐惧症患者观看。。
给每一个被lockdown过的人看的一地鸡毛，现实而讽刺。詹美好歹真人出镜，赵喜娜干脆出现在ipad上，康伯巴奇居然……WTF！哈哈哈哈哈哈
屎尿屁吐齐活了，带着媳妇女儿上阵一通恶搞，这很阿帕图。
看片名以为是常见的女人或母女被恶人囚禁求生的俗套故事，没想到剧情给了我惊喜，原来是这么个囚禁，我不记得之前看过这样的设定。影片前一半具备很强的未知性和可看性，张力十足，后一半水准下降沦为普通，但也算安全的把故事顺下来了。
有些地方的剪辑还不错，也有笑点。但是还是一星，大多数时候让人看得很不适，很不爽，就是很不舒服，什么鬼东西？
情节挺直白的，结局也有爽到，但有的地方明明音乐气氛演员表情什么的都烘托到位了，下一幕转换的画面就有点失望。
疫情题材被Judd Apatow玩出了新花样，笑料堆砌，段子满天飞，玩梗吐槽一大摞，是熟悉的阿帕图风格。只是这拉垮的节奏，太影响观感了。
比较普通，属于是密闭空间的求生题材，想要花点笔墨刻画下女主的过去的家庭纠葛，但也塑造的不够丰满。剧情的紧张和悬疑程度也差些。6.5分吧
都快忘了阿帕图的喜剧有这么好笑了，同为疫情期间讽刺喜剧这部比别抬头更得我心：充满inside joke，对大厂权力压迫和一部接一部续集电影family梗，对女演员的年龄歧视，还有演员/导演/网红的嘲讽和自嘲（几乎每位都能找得到原型）还有tiktok 奶头乐和各种冷笑话
作为反映时下疫情的应季片子，真的被居家隔离了看还挺有趣的，很多评论都说和《不要抬头》一样，但是我觉得比不要抬头还差很多。
经费超足
太好笑了，皮皮一用那个莫名其妙的口音讲话真的又傻又typical，这什么恐龙的电影里几位人设真的很典了。我很喜欢这部，确实让我分心了两个小时出来大笑一次
剧情太刻意了。咱就是说，谁能在家里整一个只能一面开的门。还有螺丝刀钉手剧情，那么大个门缝不能看一眼，就非得把手伸进去。还有墙上的铁耶稣，到处找铁制品，那么大的工具看不到。还有那说话墨迹的功夫，那地板早刨开了
卡司强大，但预告片很令人担心是烂片……果然是烂片。
基本没啥靠谱的剧情，但偶尔几个段子还蛮好笑的，一大堆明星，还有各种来客串的。。。阿帕图业内人缘可见一斑。。。
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