This film is an extremely entertaining psychological thriller with Carrol Baker excellent as a rich American widow getting away from it all at a secluded Italian villa. Enter smart aleck down on his luck playboy, Lou Castel, who has some golddigging motives behind his slick hipster seduction techniques and has no qualms about how he gets what he wants. He encourages Baker's character's incipient alcoholism and dubious self-esteem, brings in his supposed 'sister' to help drag Baker even further into a maze of sick mind games, drug addiction and group sex, all culminating in a descent into near-madness and self-destructive depravity.
I won't give away anymore, suffice to say that the film delivers on its swinging sixties, Euro sleaze ambience and psychological suspense thriller credentials in spades. Director Umberto Lenzi's work has been, at best, uneven and he's churned out his share of crap. However, he made some quite good giallos and crime pictures in the sixties and seventies and this is one of them (other good films by Lenzi -- SPASMO, SEVEN BLOODSTAINED ORCHIDS, ASSAULT WITH A DEADLY WEAPON, to name only a few).
Unfortunately this film is ofen confused with another okay but not-quite-as-good Lenzi film that was also released briefly here in America under the same PARANOIA title (but is more commonly known, especially on video, as A QUIET PLACE TO KILL).
疫情面前人人平等,它是一面照妖镜,全世界人民甚至连白痴的样子都是一样的。
相比于短片,剧情加长并加了对白,有利也有弊。好处是在于里面的一些设定因为加了对白的缘故变得浅显易懂
没有讲好先生和汐华两个人的羁绊之如何建立的
关于相互尊重和救赎的故事。从题材到人设到画风到分镜细节雕琢等等都戳我。可惜的地方是最后有点谜语人,以及我由衷希望日常再多点。
三星半。Dany 还是好玩的, 我就是觉得太长啰嗦了,应该再剪掉30分钟会更好。
旺达还是好美🥰🥰……话说光照会也太可怜了吧
看过的最好一部疫情题材电影,幽默温情以及残酷的离别。
被好看的海报骗进来的。。。这整个一出春晚小品的感觉= =比小品还难看= =||||让法国人民拍主旋律命题作文看来是不太行= =
因为焦虑病毒,把老婆赶出家门;健身教练开始狂吃棉花糖和奶油;跋扈的楼上大哥180度大转变;小男孩与小女孩的影子kiss可爱极了;疯狂医生与猫……结局悲伤却又温情。为了纪念,为了治愈。
温馨可爱的小故事 表现出疫情下不一样的人们 一切都乱糟糟一切都在努力生活
以为会像魔嫁一样好看,但其实很一般,剧情很拖沓……但画风确实好看,像童话一样
疫情也挡不住法国人的幽默和不羁 拉踩穿过寒冬拥抱你 剧情再精炼点更好
多少年后这也算是个历史印记浓厚的抗议纪录片了
把疫情幽默化,现在新的一波来袭,跨年宅在家看看这一部作为2022年第一部电影挺好的
6 居然是陆剧套路走温情向,不过比我们的滥煽情好一点。
疫情期间,法国人民的生活也不好过呀,居家隔离。
黑色绘本式的美术风格的设计,微妙地平衡着美丽与惊悚。将室内空间与室外风光切成四块的窗框、高大黑色身体演为树与支杈,也是妙笔。
人物稍有脸谱化,但也算是疫情电影里还不错的片。
剧本很薄弱 分镜并不是一直保持在最好的状态 但是我对福山润演这种角色真的无法拒绝……
所有2020上半年自我居家隔离的人看这部片子都能related…
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