Set in a small Quebec town in the late-1920′s, this emotional drama follows the life and exploits of Celeste Beaumont, a talented young pianist who gains local celebrity at the town movie theater for her gifts as a silent film pianist. Awkward Pierre Blaudell is her biggest fan and eventually marries her. Shortly after this she bears his son, Pierre, who joins the army. She insists on joining him at the base and his meddlesome, snooty parents insist she give them her son. Pierre is killed in the war, and Celeste flees to New York where she finds steady employment as a jazz pianist. She finds a life-long companion with a black musician and chronicles her experiences in a diary that she passes on to her son after he grows up. Her son becomes a painter and once his own son, Antoine, is grown, reads him the story of Celeste, the youth’s grandmother. Intrigued, Antoine heads to the Big Apple in hopes of finding her.
This movie is an emotional drama about how Antoine, played beautifully by François Méthé, discovers the details of his heritage. This film won many awards in Canada and at Cannes in 1988. François Méthé, who was about 11-years-old, never acted again after this movie.
From IMDb:
A quiet painter, separated from his wife for a year, receives a suitcase in the mail from his mother, whom he hasn’t seen since infancy. He believes she abandoned him to his wealthy, paternal grandparents. The suitcase contains mementos and a diary, a long letter to him, written over the years, with details of her youth, her first job as a pianist at a cinema, the coming of talkies, her marriage, and how he came to live with his grandparents. As he reads through the materials and her story comes to life, his son Antoine, who’s about 10 or 12, tries to break through his father’s silence and sorrow by taking matters into his own hands.
逻辑基本能自洽 ，还伴有一点搞笑，有时间的话可以看看。
尊重剧情，但不理解这种分分合合优柔寡断的感情
很不错的片子。网大有这水准，有个好的宣发，上院线绝对能上2亿的票房。比最近元旦的片子都好多了。除了《爱情神话》
剧情漏洞太多了，对于这个团队来说只能是及格线水平
一栋楼里隔壁左右的邻居，就这么简单一句话，却很难得到回应。
这次编剧有点飞，剧本逻辑不合理的地方有点多。而且邵庄跟杨羽的演技也是一直没啥提升，怎么演都像在重复自己，再用演网剧那套模式来演电影，已经有点不够看了。片子整体观感还不如《非常保镖》。
加油啊，毛骗团队，希望哪天能在大银幕上看到你们
看过的最好的网络电影，龙哥太tm仗义了，有底线
越发精确。感觉优映可以稳定输出这种水准的故事了
学不到疯狂系列的精髓，只学了个表皮。一晚上发生的事情，剧情点过于多了
一晚上的错综复杂的联系，还不是很尴尬，挺难得的
没有多余镜头也没有多余台词，虽然剧情老套，但是很舒适，很毛骗，也很宁浩。
网剧也是有点东西的
后面蛋糕的取名字的小彩蛋不错。
7分还可以吧，一是创作团队喜欢，二是人物和关系设计巧妙。
可能是之前《毛骗》《杀不死》拔得太高了，这部剧反而没有新鲜点，没有反转，都是一些很普通的剧情。
不能当做电影，作为网大还凑合。故事完整，结构工整，整体四平八稳，没什么大毛病。故事来源于生活，很多细节处理的不错，但是质感差，演技生涩，总感觉在看张达明。结局过于完美，甚至有点“说教”意味。一个老赖折腾了债主一帮人一晚上，出了那么多事，最后连个赔偿和利息都没有，债主最后就拿到个借条还乐的屁颠颠的。钱是真不能借！
毛骗剧组再次展示如何在最少的预算内拍出自己的想法，没有钱拍飙车，没关系，可以飚自行车。
“如果中国有合理的分级制度他们一定能有更好的作品”，就像很多人远远没到拼天赋的地步，很多创作人也远远没到谈创作被禁锢的地步。这个让真正优秀创作人倍感无奈的现状，如今成为了很多三教九流的遮羞布。所以真正有资格说这句话的创作者真的很少，而这个团队无疑是其中之一。
小宝的颜夜敌不过杀猪刀啊；包哥永远是你包哥
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